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Please submit your Letters to the Editor by noon Thursday of each week, via e-mail, at letters@ashevilledailyplanet.com, or fax to 252-6567, or mail c/o The Daily Planet, P.O. Box 8490, Asheville, N.C. 28814-8490. Submissions will be accepted and printed at the discretion of the editor, space permitting. To place an ad online or in print, call 252-6565.
Letters to the Editor
Wednesday, 02 August 2006 02:58
Reader expresses outrage
over Mexican flag billboard

I am OUTRAGED at the new billboard on Swannanoa River Road at the Fairview Road intersection depicting a Mexican flag.  

I called the number on it and was told that there is another one just like it on Smokey Park Bridge. I can??t believe this!


What??s going on here?

Have you seen it?

What are YOU going to do about it?


Devon Stockard

Asheville

Pritchard park drum circle

needs to minimize impact

All music is noise.

Music is a form of noise; it??s a subset.


For example, if you are sitting quietly by yourself, that??s quiet; or the absence of noise.  If you start whistling, you??re making noise.  It might be musical noise but it??s still noise.  In other words, you??re not being quiet anymore.


The permit that the drummers have is the same that Bele Chere has ?? or Shindig on the Green or road crews with jackhammers.  It??s a permit that allows the permit holder to exceed the limitations of the noise ordinance for a specific purpose approved of by the city.  In other words, the city of Asheville prohibits noise generally but can allow it on certain occasions with a permit.


There is no music ordinance.  The permit does not state that you must limit your noise to notes and melodies.  The drummers can sing, drum, play flutes or hum in unison.


If the city deems that the event is in violation of the purpose for which the permit was originally issued, the city can revoke that permit and the permit holder would no longer have permission to exceed the noise ordinance.


I would suggest to the permit holder that they find a way to minimize their negative impact on the quality of life downtown, just as any other law-abiding person would, and thereby retain their permit to engage in peaceable merry-making in Prichard Park, which is the perfect setting for this particular brand of it.


TIM PECK

Asheville

Columnist termed lacking

in expertise, maturity

EDITOR??S NOTE: The following letter was sent to the Daily Planet in reference to theater-film columnist Meg Hale.

?ÿ
Your lead sentence in the June 21, 2006 review of Arthur Miller??s play ?®All My Sons?∆ vividly displays how little you know about American Theater ?? or American film history.

Arthur Miller??s bold, searing post-World War II play ?®All My Sons?∆ was staged in 1947. This was three years before Marilyn Monroe had a small speaking role in John Huston??s 1950 film ?®The Asphalt Jungle.?∆


Implying the two were in the sack together when ?®All My Sons?∆ was staged may seem like a ?®grabber?∆ lead to you, but it is terribly misleading and highlights the lame editing of your writing ?? if, indeed, your column is edited at all.


Two suggestions:

Peruse Arthur Miller??s autobiography ?®Timebends?∆ before you write about his personal life.
Try to eliminate the word ?®I?∆ from your ?®weak?∆ly column.

Reviewing plays and films is not about you. It is about the creative work.


Grow up.


Kennon Webber

Asheville

Letter writer gives thanks

for author??s ?¥literary forays??

EDITOR??S NOTE: The following letter was sent to the Daily Planet in reference to spirituality columnist Marc Mullinax.

?ÿ
Winnie Risley and I here at Brooks-Howell Home have been delighted with your recent ?®literary?∆ forays. She has made copies and sent it off to friends in Vermont! Pow-pow, so there!

The one this past week (the June 25 Daily Planet) brings to my mind the parable-book by Dr. Nels Ferre, some years back, I believe the title was ?®The sun and the umbrella?∆?? in which the umbrella was raised by the second generation of followers who couldn??t abide the brilliance of the original revelation.

Count this as a letter of support for the benefit of your editor and all those nay-sayers (especially the previous one about the ?®promise?∆ of the hereafter). We look forward to more of your essays.

LeGrand Smith

Asheville

 



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