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Singerís death results in some ëCalifornia Dreaminí
Tuesday, 13 February 2007 18:39
ìAll the leaves are brown and the sky is gray
 Iíve been for a walk on a winterís day
 Iíd be safe and warm if I was in L.A.
 California dreaminí on such a winterís day.î
ó ìCalifornia Dreaminíî
The Mamas & the Papas
ï
The Jan. 19 death of Denny Doherty, a founding member of the Mamas and the Papas, provided a vivid jolt to me that mortality looms for everyone.

Indeed, this great 1960s San Franscisco-based folk-pop band, which once exuded so much life and vitality, now has only one surviving original member ó the ever-lovely Michelle Phillips.

The timing of Dohertyís death, amid winterís gloom, especially evoked my memories of the groupís first hit, ìCalifornia Dreaminí,î that pines for sunny respite.

Who could ever forget such dramatic lyrics as these?


ìWell, I got down on my knees

And I pretend to pray
You know the preacher likes the cold
He knows Iím gonna stay.î

The band, formed in ë65, broke up in ë68 when one of its top singers, Mama Cass Elliot, decided to go solo ó and the Phillipsí divorced. Alas, Cass died in 1974 of a heart attack. In 2001, John Phillips, Michelleís ex-husband, died of heart failure.


Doherty, 66, may have succumbed as the result of kidney failure following a surgery for a stomach aneurysm. A Canadian native, he died at his home in Mississauga, Ontario.


In the group, Doherty sang most of the male leads in a clear tenor, punctuated by rock ëní roll growls. He also was part of an ultimately destructive love triangle centering on Michelle that infuriated her husband John.


The Mamas and the Papas was among the first major rock groups to feature two male and two female singers who were equals on stage. During their performances, they struck an image of casual, collegial friendship.


In my estimation, the quartetís songs were simply smashing, with thought-provoking lyrics, rich, meticulous harmonies tinged with darkness and musical arrangements featuring chiming guitars. The group ìmixed the gentle jangle of folk with a rock backbeat and sweet, layered pop vocals,î according to Ben Sisario in a Jan. 20 story in The New York Times.


As one might expect from a ë60s-era band, its membersí lifestyles were Bohemian and eclectic. While I admired them musically, I disliked that they reportedly were so caught up in the use of alcohol and psychedlic drugs, sometimes with children present.


Some music critics have ranked the Mamas and the Papas among the most influential American bands between the ìBritish invasionî and Woodstock. They were inducted into the Rock ëní Roll Hall of Fame in 1998.


In the early ë80s, the band was reconstituted for a reunion tour with Doherty, John Phillips, Phillipsí daughter Mackenzie and Elaine ìSpankyî McFarlane.


Besides ìCalifornia Dreaminí,î my other favorite songs of the group include ìMonday, Monday,î ìDedicated to the One I Loveî and ìGo Where You Wanna Go.î


Despite The Mamas and the Papasí brief period in the ë60sí spotlight, I think the quartetís innovative music and youthful spirit will endure because of its clever juxtapositioning of light and dark elements ó and its combustible combination of four exceptional vocalists.

ï
John North, publisher and editor of the Daily Planet, may be contacted at publisher-at-ashevilledailyplanet.com.
 



 


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