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| Roger Ebert |
ìSuperbadî is a four-letter raunch-a-rama with a heart, and an inordinate interest in other key organs. It is autobiographical, I suspect, inspired not just by the lives of the co-writers, Seth Rogen and Evan Goldberg, who named the two leads after themselves, but possibly by millions of other teenagers. The movie is astonishingly foul-mouthed, but in a fluent, confident way where the point isnít the dirty words, but the flow and rhythm, and the deep, sad yearning they represent.
The movie involves best friends Seth (Jonah Hill) and Evan (Michael
Cera), who have been inseparable in high school mainly because they
were equally unpopular, and now face the ordeal of attending different
colleges. It is three weeks until the end of the high school year,
bringing to mind the ancient truism that if you havenít had sex yet and
you donít have it soon, you will never have had sex in high school.
Such deprivation used to be commonplace; I am of the opinion that only
about two members of the Urbana High School graduating class of 1960
had experienced sex, but Iíll double-check at our next reunion. I will
say, though, that at the end of senior year, third base was seeing a
lot of traffic.
Seth is the pudgy, curly-haired one, and Evan is thin and has worried
eyes. They have a sidekick named Fogell (Christopher Mintz-Plasse), who
is so unpopular he is unpopular even with them. They all feel lust for
every girl in the school, but are so stuck for conversation that
sometimes they simply say what time it is, as if theyíve been asked. To
their wonderment, Seth, Evan and even Fogell are invited to a party on
the last night by the uber-popular Jules (Emma Stone), who belatedly
explains that itís not a BYO party, but a BYOAEE party (bring your own
and everybody elseís).
Their attempts to buy booze while underage are more bizarre than some I
have witnessed, involving Fogellís production of an I.D. card claiming
he is ìMcLovin.î And they discover that being the guys who bring the
booze is a powerful deterrent to unpopularity. (Note: Underage drinking
is WRONG.) Jules is very happy to see the three friends and their brown
paper bags, and Evan is amazed that even the fragrant Becca (Martha
MacIsaac) has a smile for him, and lots else.
To be sure, the lads are not seeking perfect love. They have heard
about girls who get drunk and sleep with the wrong guy, and their
modest ambition is simply to be the wrong guy. (Note: There is a thin
line between being the wrong guy and being a criminal.) Fogell, for
that matter, would be happy to even be the WRONG wrong guy. (Note:
Letís stop these notes and make a blanket announcement: This movie was
made by professionals. Do not attempt any of this behavior yourself.)
But back to Fogell. What strange ability do teenagers have to always
choose the schoolís future millionaire brainiacs and call them by their
last names? For Fogell, poor wretch, there is nothing left in life but
to found Microsoft, so to speak. The actor in the role, Christopher
Mintz-Plasse, is an actual high-schooler who got the job at a casting
call, and it may be a star-maker. I am informed by ìSuperbadî expert
David Plummer: ìThere are already T-shirts being sold with ëI Am
McLoviní printed on them.î
Anyway, two cops (Bill Hader and co-author Seth Rogen, in what I assume
is a NONautobiographical role) bust the party, and so original is this
film that they are not the usual bullies, but young enough that when a
door opens upon the likes of Jules and Becca and the brown paper bags,
they begin to lean eagerly over the doorsill.
The movie reminded me a little of ìNational Lampoonís Animal House,î
except that itís more mature, as all movies are. It has that unchained
air of getting away with something. In its very raunchiness it finds
truth, because if you know nothing about sex, how can you be tasteful
and sophisticated on the subject?
In its treatment of adolescent sexual yearning, ìSuperbadî remembers
not only the agony but the complete absence of the ecstasy. I remember
in eighth grade, some kid asked how long you could entertain an impure
thought before it got upgraded from a venial to a mortal sin. ìThere
arenít rules for things like that,î the sister explained, ìbut Iíd say
that after five seconds, youíre asking for it.î The kid and his buddy
went down to his basement to study his dadís collection of Playboys,
and he got a stopwatch and had his buddy punch him in the arm every
four seconds.
ï
Roger Ebert, a Pulitzer Prize-winning film critic, is a syndicated columnist based at the Chicago Sun-Times.
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